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Newsflash |
Want to share your music? Want to have it featured on the House Of Gigs
radio station? How about have it featured on the weekly PodCast? Then,
what the heck are you waiting for? Fill out this friggin' form. |
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Tuesday, 07 September 2010 |
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Snoop And Lee - Together At Last! |
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Written by Administrator
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Friday, 05 August 2005 |
Saw this and nearly fell out of my chair. Not from shock, but because it seems just so funny. Snoop Dogg and Lee Io represent! |
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Last Updated ( Friday, 05 August 2005 )
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Comatose Collin - "Happy Everyday" |
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Written by BossHog
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Thursday, 28 July 2005 |
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When I first popped the Comatose Collin CD "Happy
Everyday" in my car's CD player my first thought was "where is this
going?" That is not a bad thing; on the contrary, it was a very good
thing. It was the fact that each tune was not an exact clone of the previous
that kept my interest piqued.
The Ann Arbor, Michigan band seems to have been influenced
by a multitude of various artists. While listening to the CD you will find the
obvious rock and indie flavor, but if you listen closely you will also hear the
impact of reggae, funk, and blues in the varied tunes. These tones all blend
well together, so that in one moment you have a driving bass line, the next a
catchy guitar hook, then an artfully subtle drumbeat that all serve to draw you
in.
There are some rough spots on the CD, however. On the first
tune, "Celibate Hippo", the instrument mix about halfway in seems to
overpower the vocals and left me a little wanting. This seemed really odd
because the rest of the album was, for the most part, mixed solidly. Also, I
felt that "Stalker Song", though a musically interesting tune, seemed
to meander around looking for a hook.
Individually each of the band members could make any band
better, but as a mixture, they each bring a special flavor to every song on
this CD that is rarely found in modern commercial music. The vocal work of Ben
Balmer is charismatic; he is able to adjust the to the feel of each song, and
as such, becomes not the feature of the song, but a true part of the music.
Nick Yribar's guitar work is excellent; at times a mix of blues and soul at
others full-on rock. David Nestor brings bass lines that create a solid
background: sometimes funky, sometimes subdued, and always spot-on for the
song. Cade Sperlich's drumming never falls for the typical pitfalls of freshman
drummers. He never pounds the hell out of a beat, instead providing an almost
rock-jazz-like influenced rhythm that at times takes control of a song, at
others providing a subtle flavor that allows for the music to take form.
Personally, my favorite songs included "The
Colony", a soulfully sweet tune, the indie-rocker "Squid" (this
song can be found in the below audio interview), and the blues-rock influenced
"Da Jibblies" (the later song having a very strange and interesting
story behind the lyrics).
All in all I really enjoyed "Happy Everyday".
Comatose Collin's first CD outshines many other commercial and indie offerings
available today. I would highly recommend this CD to anyone who enjoys their
music like a buffet - a little bit of everything and very filling.
You can purchase "Happy Everyday" at Comatose
Collin's website or CD Baby.
Download Audio Interview With Comatose Collin
Click Here To Listen Now!
Interested in being concidered for Band Of The Week? Read This
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Last Updated ( Wednesday, 05 October 2005 )
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George Martin Is Disenchanted With Tech |
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Written by BossHog
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Thursday, 28 July 2005 |
From the “HUH?” department.
If this VERY short article is to be believed George Martin, the
legendary Beatles producer, hates the fact that anyone can make a
record these days due to the advances in technology.
Well, again assuming the article is accurate in relaying his feelings,
this is absolutely ridiculous! I can only think that he is seeing that
the need for studios he owns and producers he has employed has gone
away and he needs to justify his existence.
Yes, it is true that most anyone can mix and create a CD these days.
That does not mean, however, that the product will be any good. A
skilled producer will always be worth his weight in gold. What it does
mean, though, is that musicians no longer need the “approval” of the
“business” to produce, sell, and make a living in the industry. It
gives the “little guy” a chance to find his or her voice and share it!
I think that if John Lennon were alive today he would completely
disagree with you Mr. Martin. The Internet and technology has changed
the way we work, think, and communicate. We are no longer relegated to
what some dude in a New York skyscraper thinks we should hear. We have
the power now, and ultimately that is what scares the old guys the
most. It is not the file sharing that has Sony, EMI, and Universal
worried, it is the fact that their distribution model is no longer
valid and we no longer need them to be successful, and that need is
what they have built their empires around. |
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Last Updated ( Friday, 29 July 2005 )
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